Originally Posted by Vasu
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And you don't have any evidence that it was done by a supernatural deity either. I didn't claim it was rice-writing. I just said that if people can write that small, they can draw that small.
Going back to my initial question, what if there is no tangible evidence that he is the murderer? Just "faith"?
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There has to be tangible evidence if there's been a murderer. the body itself would be evidence. unless of course you're referring to a case in which the person just drops dead for no apparent reason, scientific, medical, you're looking at something unexplainable, correct? Therefore you wouldnt be able to charge the person in the first place. I dont see how this really relates to faith, though, seeing as we're talking in faith that a physical being did something. not a spiritual one.
And writing is a bit different than creating complicated pictures in extremely small spaces.
@Ivra: im talking about the eyes of the painting. within the eyes there are very very tiny images of people that had been made from a color that no dye could make at the time, as confirmed by a chemist who later won a nobel prize. In Detail:
Photographers and ophthalmologists have reported images reflected in the eyes of the Virgin.[40][41] In 1929 and 1951 photographers found a figure reflected in the Virgin's eyes; upon inspection they said that the reflection was tripled in what is called the Purkinje effect. This effect is commonly found in human eyes.[38] The ophthalmologist Dr. Jose Aste Tonsmann later enlarged the image of the Virgin's eyes by 2500x magnification and said he saw not only the aforementioned single figure, but rather images of all the witnesses present when the tilma was shown to the Bishop in 1531. Tonsmann also reported seeing a small family—mother, father, and a group of children—in the center of the Virgin's eyes.[38] In response to the eye miracles, Joe Nickell and John F. Fischer wrote in Skeptical Inquirer that images seen in the Virgin's eyes are the result of the human tendency to form familiar shapes from random patterns, much like a psychologist's inkblots—a phenomenon known as religious pareidolia.[42]
Richard Kuhn, who received the 1938 Nobel Chemistry prize, is said to have analyzed a sample of the fabric in 1936 and said the tint on the fabric was not from a known mineral, vegetable, or animal source.[38] In 1979 Philip Serna Callahan studied the icon with infrared light and stated that portions of the face, hands, robe, and mantle appeared to have been painted in one step, with no sketches or corrections and no apparent brush strokes.[43]
(From Wikipedia)